Claire.
Cold floral transparency.
A translucent composition structured around mineral citrus, pale florals, watery accords, and soft woods. Written in light rather than colour — closer to atmosphere than to declaration.
- Family
- Floral Aquatic
- Concentration
- Extrait — 22 %
- Composition
- 11 raw materials
- Edition
- Volume I · 2025
The composition,
described as a structure.
A pyramid is not a metaphor — it is a record of volatility. Each material occupies a measured position within the formula, weighted by its evaporation rate and contribution to the whole.
- Petitgrain6.0 %
- Cut Grass Accord4.0 %
- Bergamot8.0 %
- Helional14.0 %
- Rose9.0 %
- Floralozone7.0 %
- Lily of the Valley11.0 %
- Benzoin18.0 %
- Iso E Super23.0 %
The fragrance behaves
like weather.
- 01mineral air
- 02cold linen
- 03translucent petals
- 04rain on stone
- 05overcast morning light
- 06wet greenery
- Diffusion
- Restrained · close to skin
- Texture
- Translucent, mineral, cool
- Projection
- Approximately 30 cm
- Evaporation
- Slow citrus → median linger
- Atmosphere
- An interior near an open window
A measured study
of presence.
Read across glassware: the same composition expressed as concentration, diffusion, skin proximity, and the curve of its evaporation. Together they describe how Claire occupies a room.
- Concentration22 % aromatic compound
- DiffusionIntimate radius
- Skin ProximityWorn close to the body
- Evaporation CurveMedian plateau, soft fall
Read slowly,
over hours.
Opening
“Cold citrus suspended in humid air.”
Transition
“Watery florals emerge slowly through mineral transparency.”
Drydown
“A quiet skin scent softened by pale woods and benzoin.”
Every composition begins
as a structure.
Explore classical fragrance architectures and reinterpret them through balance, concentration, and atmosphere.